Wednesday, January 13, 2016
Amy’s Chris King Wins Unprecedented 3rd Prize for Editing
The Look of Silence was the big winner at the 9th Annual Cinema Eye Honors, taking home three awards, including Outstanding Nonfiction Feature, Outstanding Direction for Joshua Oppenheimer and Outstanding Production for Signe Byrge Sørensen. It’s the first time in Cinema Eye history that filmmakers have won Outstanding Feature or Outsanding Production twice – Oppenheimer and Sørensen were honored in both categories for The Act of Killing in 2014.
Sørensen’s two trophies on Wednesday, combined with her two wins in 2014, tie her with Laura Poitras for most total awards in Cinema Eye history at four.
The editor Chris King also made Cinema Eye history on Wednesday, becoming the first person to win three awards in the same category. His Editing Honor for Amy joins his previous awards for Exit Through the Gift Shop and Senna.
Meru, the mountain climbing epic directed by Chai Vasarhelyi and Jimmy Chin, took home two awards: Audience Choice and Cinematography. The latter award was shared with Cartel Land cinematographers Matthew Heineman and Matt Porwoll, the second year in a row that there was a tie in the Cinematography category.
The rest of the evening’s awards were split between many of the year’s top nonfiction films. Laurie Anderson won the award for Outstanding Original Score for Heart of a Dog; Stefan Nadelman and Hisko Hulsing took home Graphic Design Honors for Kurt Cobain: Montage of Heck and Crystal Moselle won Outstanding Debut for The Wolfpack.
The Nonfiction Short Film Award was also a tie result, with both Hotel 22 by Elizabeth Lo and Buffalo Juggalos by Scott Cummings named as winners. This year’s award for Nonfiction Film for Television went to HBO Documentary Films’ Private Violence, directed by Cynthia Hill. Alexandre Nanau’s Toto and His Sisters received the Spotlight Award.
Legendary filmmaker Steve James, a Cinema Eye winner in 2012 for The Interrupters, hosted the 2016 Cinema Eye Honors at the Museum of the Moving Image in Astoria, Queens. Radiolab hosts Jad Abumrad and Robert Krulwich served as announcers and Voices of God for the proceedings. Presenters included Laura Poitras, Chris Hegedus, Ross McElwee, Making a Murderer co-directors Moira Demos and Laura Ricciardi, Alex Gibney, Liz Garbus and Chris Smith, director of this year’s Legacy Award winner American Movie.
American Movie was presented with its Legacy Award at the Cinema Eye Honors Lunch on Tuesday in Manhattan, where the winner of this year’s Heterodox Award was also revealed as Jafar Panahi’s Taxi.
Complete list of winners for the 9th Annual Cinema Eye Honors
Outstanding Achievement in Nonfiction Feature Filmmaking
The Look of Silence; Directed by Joshua Oppenheimer; Produced by Signe Byrge Sørensen
Outstanding Achievement in Direction
Joshua Oppenheimer, The Look of Silence
Outstanding Achievement in Editing
Chris King, Amy
Outstanding Achievement in Production
Signe Byrge Sørensen, The Look of Silence
Outstanding Achievement in Cinematography (tie)
Matthew Heineman and Matt Porwoll, Cartel Land
Jimmy Chin and Renan Ozturk, Meru
Outstanding Achievement in Original Music Score
Laurie Anderson, Heart of a Dog
Outstanding Achievement in Graphic Design or Animation
Stefan Nadelman and Hisko Hulsing, Kurt Cobain: Montage of Heck
Outstanding Achievement in a Debut Feature Film
The Wolfpack; Directed by Crystal Moselle
Audience Choice Prize
Meru;, Directed by Chai Vasarhelyi and Jimmy Chin
Outstanding Achievement in Nonfiction Films Made for Television
Private Violence; Directed and Produced by Cynthia Hill; For HBO Documentary Films: Senior Producer Nancy Abraham, Executive Producer Sheila Nevins
Toto and His Sisters; Directed by Alexandre Nanau
Outstanding Achievement in Nonfiction Short Filmmaking (tie)
Buffalo Juggalos; Directed by Scott Cummings
Hotel 22; Directed by Elizabeth Lo
Taxi; Directed by Jafar Panahi
American Movie; Directed by Chris Smith
About Cinema Eye, Cinema Eye Week and the 2015 Cinema Eye Honors
The Cinema Eye Honors for Nonfiction Filmmaking were founded in late 2007 to recognize and honor exemplary craft and innovation in nonfiction film. Cinema Eye’s mission is and has been to advocate for, recognize and promote the highest commitment to rigor and artistry in the nonfiction field. At its inception, Cinema Eye was the first US or international organization to present annual awards for documentary in the fields of production, cinematography, original score and graphic design and the only organization, aside from the guilds, to recognize outstanding direction and editing.
The Honors ceremony is the centerpiece of Cinema Eye Week, a multi-day, multi-city celebration that acknowledges the best work in nonfiction film through screenings and events. The final three days of Cinema Eye Week culminated in New York City, where a series of celebratory events brought together many of the year’s most accomplished filmmakers.
The Premiere Sponsor for the Cinema Eye Honors is HBO Documentary Films. Netflix, A&E IndieFilms, Camden International Film Festival, Field of Vision and Just Films/Ford Foundation are Major Sponsors. Festival Partners include CPH:DOX and Hot Docs. The Institutional Sponsor for #CEH16 is The Murray Center for Documentary Journalism at the University of Missouri. The Museum of the Moving Image is the Venue Partner. Industry Sponsors include Abel Cine, ACE American Cinema Editors, LEF Foundation, The Orchard and Spacestation.
Cinema Eye is headed by a core team that includes Board Chairs Marshall Curry (director, Street Fight and Point and Shoot) and Charlotte Cook (Co-Creator and Executive Producer, Field of Vision), Cinema Eye Week Co-Chairs Wendy Garrett and Nathan Truesdell (producer, We Always Lie to Strangers), Cinema Eye Lead Producer Will Lennon (producer, Speaking Is Difficult) and Founding Director AJ Schnack (director, Caucus and Kurt Cobain About A Son).
Nominees for the Cinema Eye Honors nonfiction feature awards are determined in voting by the top documentary programmers from throughout the world. This year’s nominations committee included Claire Aguilar (Sheffield Doc/Fest), Charlotte Cook (Hot Docs), David Courier (Sundance), Cara Cusumano (Tribeca), Joanne Feinberg (Ashland Film Festival), Elena Fortes (Ambulante), Ben Fowlie (Camden International Film Festival), Tom Hall (Montclair Film Festival), Sarah Harris (Dallas Film Festival), Lane Kneedler (AFI FEST), Jim Kolmar (SXSW), Amir Labaki (It’s All True, Brazil), Artur Liebhart (Planete Doc Review), David Nugent (Hamptons Film Festival), Veton Nurkollari (DokuFest Kosovo), Andrea Passafiume (AFI DOCS), Janet Pierson (SXSW), Thom Powers (Toronto International Film Festival), Rachel Rosen (San Francisco), Charlotte Selb (RIDM Montreal), Genna Terranova (Tribeca), Sadie Tillery (Full Frame), Basil Tsiokos (DOC NYC) and David Wilson (True/False).
Nominees for the Cinema Eye Honors short film awards were selected by a nominations committee that included Claire Aguilar (Sheffield Doc/Fest), Chris Boeckman (True/False), Charlotte Cook (Hot Docs), Cara Cusumano (Tribeca), Ben Fowlie (Camden International Film Festival), Claudette Godfrey (SXSW), Doug Jones (Images Cinema), Ted Mott (Full Frame), Veton Nurkollari (DokuFest Kosovo), Dan Nuxoll (Rooftop Films), Andrea Passafiume (AFI DOCS), Mike Plante (Sundance), Rachel Rosen (San Francisco) and Kim Yutani (Sundance).
Nominees for the Television Award were selected in a two rounds of voting. The first round consisted of programmers that included Nominations Committee Chair Charlotte Cook (Hot Docs), Joanne Feinberg (Ashland), Tom Hall (Montclair), Sarah Harris (Dallas), Doug Jones (Images Cinema), Lane Kneedler (AFI FEST), Jim Kolmar (SXSW) and Andrew Rodgers (RiverRun). The second round included film critics and writers Steve Dollar, Bilge Ebiri, Eric Hynes, Liz Shannon Miller, Nick Pinkerton, Jeff Reichert and Farihah Zaman.
Ten finalists for the Heterodox Award were selected in voting by the Cinema Eye Honors Nominations Committee. The ten finalists were then viewed and five nominees were selected by a second round committee, composed of 8 nonfiction programmers and journalists, including Committee Chair Scott Macaulay (Editor in Chief, Filmmaker Magazine), Hadrian Belove (Executive Director, Cinefamily), Tine Fischer (Festival Director, CPH:DOX), Eric Hynes (Associate Curator of Film, Museum of the Moving Image), Doug Jones (Executive Director, Images Cinema), Mads Mikkelsen (Programmer, CPH:DOX), Dan Nuxoll (Program Director, Rooftop Films), Alison Willmore (Film Critic, Buzzfeed) and Rachel Rosen (Director of Programming, San Francisco Film Society).
Kate Hurwitz (Cinetic Media) and filmmakers Penny Lane (Our Nixon), Iva Radivojevic (Evaporating Borders), Richard Rowley (Dirty Wars) and Martha Shane (After Tiller) served as this year’s Spotlight Jury.