film review: The End of the Storm

 

 

Directed by James Erskine

Written by James Erskine

ChinoKino score: D

Review by Allan Tong

The End of the Storm plays like one of those glossy mini-hagiographies that sports networks run during intermissions to keep hometown fans cheering between halves and periods. The big difference is that End of the Storm runs for 99 agonizing minutes and hypes the entire Liverpool football club who topped the Premier League in 2019-20. 

I'm not slagging Liverpool FC at all. They're a great team. Legends. But this documentary is such an obvious exercise in corporate P.R. that I get no sense of what it's really like for them to compete in the top football (soccer) league on the planet. Pro football is big business, where coaches are turfed when their team slides or players are hounded by fans when they slump. The pressure is enormous, the egos are explosive and the fan expectations unrealistic. You get none of that in this film.

What to watch this week: Pelé, Tokyo Girl, Creem magazine

 

Tokyo Girl

reviews by Allan Tong 

TOKYO GIRL (on Prime)

ChinoKino score: A

Tokyo Girl would kick Emily in Paris' ass in a Superbowl game.

Tokyo Girl is a Prime series about a smalltown girl who finds her dreams working in fashion in the big city, while Emily in Paris, the Netflix hit, follows a Chicago girl who trimphs in the European culture capital through her Instagram account. Both heroines are fishes out of water, bore wear gorgeous clothes and they dine in dazzling restaurants with lovers and backstabbing colleagues.

After watching Emily in Paris, I remember gorgeous Paris and posh clothes. After watching Tokyo Girl I remember work triumphs, everyday struggles and broken relationships. I remember watching a real person mature.

This comparison, I admit, can go only so far. Emily is told in real time while Tokyo Girl spans nearly 20 years in the heroine's life. Also, Emily is lighter while TG mixes drama with laughs.

Both shows are helmed by strong actresses, though. Emily takes a lot slagging for being an American philistine, but Lily Collins nails the role. Collins injects her character with unexpected vulnerability at times. (A shout-out goes to Philippine Leroy-Beaulieu who nails Emily's bitch boss.) Asami Mizukawa (pictured above) has a tougher gig in Tokyo Girl, portraying how smalltown girl Aya turns into career woman Aya by age 40, when she wonders what th hell she'll do next with her life. Mizukawa pulls it off.

TG's writing is tougher, smarter and more complex. Guys need to watch this show to understand women better. Emily, in contrast, overdoses on gee-whiz sweetness that would kill a diabetic. But, hey, Paris, is dazzling.

The call: Tokyo Girl by 14 points.

 

PELÉ (on Netflix)

ChinoKino score: B

Before Michael Jordan and Wayne Gretzky, there was Pelé. This kid from the slums of Sao Paulo shot to football (soccer) superstardom and put Brazil atop the football map. This doc covers the meat of his career, playing for Santos and leading Brazil to three World Cups, from 1958 to 1970.

Those years were a hell of a ride that lifted Brazilian national pride and made Pelé a rock star. Goals, goals, goals. There's an endless stream of Pelé making acrobatic moves on the football pitch, drawn from vintage black-and-white footage and grainy colour. This doc is thrilling to watch, and captures a lot of Pelé's former teammates and coaches on camera recounting their victories and struggles.

Pelé himself, now 80, tells a lot of his story. He needs a walker these days, undoubtedly a result of many years of taking cheap shots from less-talented opponents. Yet, he still speaks with a sparkle in his eye. All great. However, the issue of him never opposing Brazil's dictator, who imprisoned and murdered his countrymen from 1964 to 1985, is thorny. Credit this film for including Pelé's critics as as well as offering Pelé's own justification for keeping his nose out of politics. Maybe we expect too much from our athletic heroes (Jordan and Gretzky were also apolitical, not Ali), but I winced when Pelé hugs the country's butcher after the 1970 World Cup victory.

What to watch tonight on Netflix, Prime & Crave

 

reviews by Allan Tong 

 

THE CROWN (on Netflix)

ChinoKino score: A+

A dramatic series about a rich English family who live in big houses with servants, and they can't stand each other's spouses. The Crown covers the second half of Britain's 20^th century and the latest season explores the slick, big-shouldered 1980s. This season (arguably the best) features a powerful woman named Thatcher (brilliantly played by that redhead from X-Files, Gillian Anderson) who bosses a lot of wimpy men around, even though she herself doesn't like women. Thatcher must be a cokehead, because she perpetually speaks as if she has something stuck up her nose.

Meanwhile, the rich family is thoroughly miserable, though they live in really nice palace and millions of people love them, especially the blonde princess, Diana.

The show hits a grand slam in every department: writing, acting, directing. By now, everyone on the planet including the Pope has seen The Crown, so if you haven't, what are you waiting for?

FLACK (on Prime)

ChinoKino score: A-

Canadian Anna Paquin, heads a quartet of spin doctors (Latin for bullshit) in London who rescue their showbiz clients from all kinds of emergencies they get themselves into, whether it's obnoxious behaviour on a transatlantic fight, faking a lesbian sex tape, or a gay hooker OD'ing in a hotel room. The irony is that Robyn is a bigger screw-up than all her clients while her colleagues are no better.

film review: Supernova

 

Directed by Harry Macqueen

Written by Harry Macqueen

ChinoKino score: B+

Review by Allan Tong

The hard reality is that dementia is increasing as our population ages. Supernova addresses how one couple deals with this terrible disease. Specifically, dementia corrodes the memory of older people. They forget where they are, who they are and who they love. Even buttoning a shirt becomes confusing. It can take a few years or many to attack a person. In Supernova, Tusker (Stanley Tucci) was diagnosed a few years ago, so his dementia is in the early innings. Most of the time Tusker knows where he is and who can recognize his lover, Sam (Colin Firth). However, unexpectedly Tusker forgets everything, which can be dangerous. He can literally wander into harm.

In a trailer home, Tusker and Sam journey through England's gorgeous Lake District to relive happy times they spent there. They also visit Sam's childhood home where his sister now lives. She's a safe harbour in a stormy time. The couple want to enjoy this experience together while Tusker still can.

film review: Falling

 

Directed by Viggo Mortensen

Written by Viggo Mortensen

ChinoKino score: C

Review by Allan Tong

Falling marks the directorial debut of Canadian award-winning actor Viggo Mortensen. The death of Mortensen's mother inspired him to reflect on his parents' divorce and led to him to write this story. How much of this film is autobiographical is unclear, but Falling centres on a fraught father-son relationship as the father searches for a new home and struggles with his health. Mortensen performs triple duty by playing son John, who lives in Los Angeles with his husband Eric (Terry Chen) and their adopted daughter. They take in the old man.

The father is Willis (Lance Henriksen) who is frankly a homophobic, nasty old man. He is suffering the early stages of dementia, which makes John's burden even heavier. Unsurprisingly, Willis attacks his son's homosexuality relentless, even as John feeds and shelters him. John's family restrains itself and doesn't fight back. They just grin and bear it.