film review Lucky Grandma

 

Directed by Sasie Sealy

Written by Sasie Sealy & Angela Cheng

ChinoKino score: A

Review by Allan Tong

Each summer, one movie comes out of nowhere and surprises audiences. In 2020, it's Lucky Grandma.

Part-gangster flick, part dark comedy, Lucky Grandma centres on a widower (Tsai Chin), chain-smoking and snarling from her Chinatown apartment in lower Manhattan. She has a successful children and lovely grandchildren, but essentially lives alone. One day, Grandma goes on a winning spree at the casino. She then crosses the bag man for the mafia and robs his booty. As viewers can guess, his mafia buddies come knocking on Grandma's door and she tries to outwit them.

Lucky Grandma could have played the comedy broadly and milked it for easy laughs. Instead, director Sasie Sealy and her co-writer Angela Cheng take a less likely--and more rewarding--approach by underplaying Tsai Chin's character, letting only the bad guys ham it up, and capturing Chinatown in claustrophobic noir. The movie is a drama, but there's enough dark comedy to keep the narrative sharp. Not an easy balance to strike, but it works.

TIFF 2017 wrap: Netflix

by Allan Tong

2017 will be remembered as the downsized TIFF: fewer films, slower sales and smaller red carpets (literally). The Canadian economy is growing, but Hollywood is in a slump, coming off its worst summer box office in over a decade. Inevitably this effects TIFF which the Hollywood studios use (Sept.7-17 this year) as the unofficial launch of the Oscar race. Before the festival, TIFF had already announced the end of the Vanguard and City to City programs and, sadly, the cessation of multimedia exhibitions in its gallery space, such as the dazzling ones to Kubrick and Cronenberg. Of course, the biggest news was TIFF CEO Piers Handling announcing his retirement after the 2018 edition.

The Italian party hosted by Mongrel Media

Where is TIFF headed? Where is the movie industry headed? One answer: the internet.

The studios used to premiere star-studded films at TIFF before releasing them in the following weeks and months to qualify for the Oscars and determine their marketing plans. This year, streaming giant Netflix has unveiled two acclaimed features, First They Killed My Father and Mudbound at TIFF.