festival spotlight on IncluCity

 

The Italians do it in style, and that extends to their film festivals. At least in Toronto.

The ICFF, once the Italian Contemporary and since morphed into the multicult IncluCity, has weathered the ice age of Covid and the onslaught of Neflix and other streamers to survive and perhaps thrive. Unlike many fests, IncluCity doesn't chase world or even city premieres, but focuses on experiential programming. In plain language, this means giving audiences a good time watching movies, specifically on big, cushy sofas out in the open, under the stars as they nurse a Moretti or Campari-infused negroni and a chocolate. 

An example of sponsorship branding

The brand names are key, since IncluCity has managed to attract a range of sponsors to pay for filling the main street and a square inside the historic Distillery District of Toronto. Forget speakers. How it works is ticket-holders listen to a movie through headphones. The picture is surprisingly sharp, the sound clear and the sofas comfy. When it rains, the screenings move indoors.

A ticket runs $35-60 and includes a sample of pasta you can eat on the spot, plus a box of dry pasta from sponsor Barilla, a negroni or beer, a chocolate from Bari and a coffee from Lavazza. A ticket can include a sample from one of the Distillery shops, like a bar of orange and cinnamon-scented soap from Gentil Uomo one night. The price will be too high for some, reasonable to others. Also factor getting here, either by car, bus (not subway), bike or walk. (I bike.) All in all, this is the most satisfying way to watch a movie outside a 3D IMAX and perfect on a summer's night.

Movies run the gamut, from drama to comedy and kids, from good to meh, and released sometime in the past year. As mentioned, these are not premieres, so the screenings offer audiences a fun way to catch a flick they missed. As a bonus, the film's directors and stars introduce each film either in person, like Atom Egoyan, or by video.

 

An example of good is Weekend Heroes, a light German drama about a father who takes his autistic son to football (soccer) games around Germany so he can settle on a team to cheer. The father is at times too nice and the son at times is a little tyrant. Well, that's the point: teach the audience about autistic behaviour, though the movie begs the question, Are parents nurturing such kids or feeding their dysfunction? The performance by the actor playing the autistic son, Cecilio Andresen, is superb.

 

Another fine film was shown at the smaller Moretti Theatre, Il padre d’Italia and introduced by diretor-writer in person, Fabia Mollo. Mollo spoke on a panel with other filmmakers about adaptatig novels to films. The translation of his 2017 film is The Father of Italia, not the country, but a baby. That baby is carried by a carefree, but reckless young woman who sings in a band. She hooks up a gay mensch and they make an unlikely duo, searching for the baby's father in this road movie. The strong performances by the leads, particularly Isabella Ragonese, and a good script make this two-hander worth watching. The film has heart without lapsing into corniness, though the ending felt a little unresolved.

Tips for viewing: True, there's some audio bleed through your headphones from the surrounding patios if you sit at the edge of the smaller stage. Better is the larger Trinity Theatre, because the neighbouring shops are closed during screenings and the sightlines are good.

IncluCity offers programming beyond movies, including a wine tasting, and concludes July 26 with a gala honouring Isabella Rossellini. The latter is a pricey but lavish affair including an Italian dinner, which has been delicious in past years.

 

Completely free is a small, but fascinating exhibition of legendary director, Federico Fellini. On display in the box office mere steps from the Trinity Theatre screen are scripts, drawings, director chairs and even the great man's desk. IncluCity organizer, Dominic Sciullo, is displaying a sample of the collection that he's finding a home for. I certainly wish him well and would love to see more.

IncluCity (officially Lavazza IncluCity Festival) runs through July 26 in the Distillery and surrounding venues.

IncluCity fest returns to Toronto, bigger than ever

 by Allan Tong

The ICFF is back, or shall I say the Lavazza IncluCity Festival, organized by the ICFF? Once Toronto's Italian film fest, IncluCity has rebranded in recent years into a multicultural (and multi-disciplinarian) visual arts festival. The core remains Italian films, but IncluCity has expanded its tent to include even Jewish and Chinese cinema, not to mention painting, opera, fashion and this year horror films. All in all, IncluCity will screen more than 50 feature films drawn from 26 countries.

From June 27 to July 22, the center of IncluCity will be the Distillery District with screenings taking place in oversize, plush seats beneath the stars (rain or shine) on this historic district's cobblestone avenue. It is, without a doubt, the most gorgeous setting to watch a film. 

There's a lot to unpack with IncluCity 2023, and here are the highlights:

ICFF film reviews: The Treadmill & On Our Watch

 

The Treadmill (Tapirulàn)

Directed by Claudia Gerini

Written by Fabio Morici with Claudia Gerini and Antonio Baioccio (story)

ChinoKino score: A-

 

On Our Watch (E Noi Come Stronzi Rimanemmo A Guardare)

Directed by  Pif

Written by Michele Astori & Pif

ChinoKino score: B 

The Italian Contemporary Film Festival returns to Toronto's big screens in 2022 following an absence during the pandemic. The ICFF coped well by offering a fine selection of drive-in movies, but this year returns to the cinema proper as well as to home computer in a hybrid model. Directly and indirectly influenced by the pandemic, two of the best films involve technology, The Treadmill and On Our Watch.

The Treadmill stars Italian's renown Claudia Gerini who also directed and co-wrote. She plays a therapist named Emma who treats "clients" via videophone (a la Zoom) while she runs on a jogging machine. Why? It's good for her body and mind. 

 

She offers comfort to a depressed artist, persuades an abused wife to flee her abusive husband and helps a teenage boy accept his homosexuality despite living in a strict Catholic family. She listens and empathizes, even when a suicidal man insults her. Here, technology bridges patient with therapist, but therapist also uses technology to distance herself from others.

Emma herself reveals her own vulnerabilities when a long-lost sister tracks her down and begs her to see their dying father. Emma shuts her down and wants nothing to do with that man. Emma resumes jogging on her treadmill, but she can't flee anywhere.

Though a lot of the action on screen happens in Emma's condo, The Treadmill keeps moving and never feels stuck. The audience sticks with Emma from the first frame and follows her as she treats her client-patients as well as heal her own family rift. Gerini portrays Emma with natural ease, offering her character complexity and authenticity. All supporting characters are fleshed out and feel real. Gerini carries the film, which she scripted with writer Fabio Morici and Antonio Baioccio who conceived the story. The Treadmill is superb and marks a fine directorial debut by star Gerini.

On Our Watch takes a lighter, slightly comedic view of technology through Arturo, a mid-manager at a company who unsuspectingly introduces the algorithm which renders him redundant. Overnight, Arturo loses his job and girlfriend, and resorts to delivering food on his bike at a tech behemoth called FUUBER. Think Uber Eats and Foodora, but also Facebook, Google and Amazon all rolled into one suffocating megatech that tracks its users' lives across the internet. 

Wisely, Fabio De Luigi plays Arturo deadpan. The satire is already in the script on screen and director Pif controls the comedy to avoid it tipping into silliness. There is no shortage of mayhem. Anything that can go wrong for Arturo delivering food, goes badly. He pays FUUBER for a virtual girlfriend, rents a room to a real-life roommate who has his own digital problems, and keeps getting penalized at his job. He can't catch a break in this digital world. Eventually, Arturo gets fed up with FUUBER enslaving him, and crosses the ocean to find the real woman behind his virtual girlfriend.

In doing so, Arturo rips the mask off FUUBER and exposes its totalitarian grip on him and countless others. The end of the film takes a jarring dramatic turn and suffers from preachiness, but this is foregivable. On Our Watch is a witty, observant warning of the perils of digital privacy.

 

TIFF celebrates 2019 Top Ten Canadian films

Story by Allan Tong / Photos by Sally Warburton
 
Last week, TIFF (Toronto International Film Festival) announced its annual Top Ten Canadian features and shorts at a public panel held at the Samsung Store in the Eaton Centre, breaking away from the Lightbox in past eyars. After a private reception, co-CEO Cameron Bailey (far left, above) moderated a public panel in the store with directors (from left to right) Sophie Deraspe (Antigone), Calvin Thomas and Yonah Lewis (both White Lie). Per tradition, the Lightbox will screen all the films into January.

Features

And the Birds Rained Down (Il pleuvait des oiseaux)
Dir: Louise Archambault | Quebec

Anne at 13,000
Dir: Kazik Radwanski | Ontario

Antigone
Dir: Sophie Deraspe | Quebec

Black Conflux
Dir: Nicole Dorsey | Newfoundland/Quebec

The Body Remembers When the World Broke Open
Dir: Elle-Máijá Tailfeathers & Kathleen Hepburn | British Columbia

Matthias & Maxime
Dir: Xavier Dolan | Quebec

Murmur
Dir: Heather Young | Nova Scotia

One Day in the Life of Noah Piugattuk
Dir: Zacharias Kunuk | Nunavut

The Twentieth Century
Dir: Matthew Rankin | Quebec

White Lie
Dir: Calvin Thomas, Yonah Lewis | Ontario

film review: Shoplifters (Manbiki kazoku)

Directed by: Hirokazu Kore-eda
Written by: Hirokazu Kore-eda

ChinoKino score: B-

Review by Allan Tong

In ultra-conformist Japan, one family rebels against society by stealing anywhere from grocery shops to the backseats of cars. On the outskirts of Tokyo, Osamu (Lily Franky) and his son Shota (Kairi Jyo) shoplift. Meanwhile, his wife (Sakura Ando), an aunt (Mayu Matsuoka) and grandma (the late Kilin Kiki) chip in by scamming and performing in private peep-shows. Their lives turn one night when Osamu and Shota come upon a tiny girl named Yuri (Miyu Sasaki) in the cold. They take her into their family and groom her to be a shoplifter.

Film and glamour: Birks and Telefilm honour six women at TIFF

Actor Pascale Bussières glams it up on the red carpet

Canadians aren't known for glamour, but Monday at TIFF, they dazzled in dresses and sparkled on the red carpet at the sixth Birks Diamond Tribute to the Year’s Women in Film. Birks and Telefilm saluted six women: documentary director Nettie Wild; actors Tantoo Cardinal and Pascale Bussières; screenwriter Susan Coyne; and emerging directors Stella Meghie and Jeanne Leblanc.

The Grizzlies director Miranda de Pencier, honouree and producer Alethea Arnaquq-Naril, star Emerald MacDonald, star Paul Nutarariaq and producer Stacey Aglok MacDonald

Toronto International Film Festival announces Gala and Special Presentations programmes for TIFF 2017

TORONTO INTERNATIONAL FILM FESTIVAL REVEALS FIRST GALA AND SPECIAL PRESENTATION TITLES FOR 2017
Featuring premieres from filmmakers including Hany Abu-Assad, Haifaa Al Mansour, Darren Aronofsky, George Clooney, Guillermo del Toro, Richard Eyre, Stephen Frears, Deniz Gamze Ergüven, Greta Gerwig, Craig Gillespie, David Gordon Green, MahamatSaleh Haroun, Angelina Jolie, Anurag Kashyap, Mélanie Laurent, Sebastián Lelio, Ben Lewin, Martin McDonagh, Hansal Mehta, Olivier Nakache, Alexander Payne, Angela Robinson, Andy Serkis, Eric Toledano, Wim Wenders, Joe Wright and more.

Piers Handling, CEO and Director of TIFF, and Cameron Bailey, Artistic Director of TIFF, today unveiled the first round of titles premiering in the Gala and Special Presentations programmes of the 42nd Toronto International Film Festival®. Of the 14 Galas and 33 Special Presentations, this first announcement includes 25 World Premieres, eight International Premieres, six North American Premieres and eight Canadian Premieres.

“Festival-goers from around the world can anticipate a remarkable lineup of extraordinary stories, voices and cinematic visions from emerging talent and some of our favourite masters,” said Handling. “Today’s announcement offers audiences a glimpse at this year’s rich and robust selection of films, including works from Canada, USA, United Kingdom, France, Germany, Spain, Ireland, Luxembourg, Belgium, Norway, Sweden, Denmark, India, Chile, Egypt and Cambodia.”

Indivisibili tops this year's Italian film festvial, ICFF

Indivisibili

by Allan Tong

After a decades-long slumber, Italian cinema may finally be waking. It's too soon to call this a golden age or even a revival, but recent films such as They Called Me Jeeg, which dazzled last year's Italian Contemporary Film Festival, and ones this year--starting tonight through June 16 in cities like Toronto, Vaughan and Montreal--offer hope.

Sure, the ICFF boasts a healthy share of mainstream comedies, such as tonight's opening gala, the crowd-pleasing Qualcosa di nuovo (Something New), but the festival has included some films that offer unique voices and imaginative stories.

Something New at this year's ICFF

by Allan Tong

You gotta love the Italians for opening their film festival, the ICFF on June 8 in Toronto, with a romantic comedy about two older women and a younger man.

In Qualcosa di nuovo (Something New), best friends Lucia (Paola Cortellesi, above right) and Maria (Micaela Ramazzotti, above left) fall for the same younger man, Luca (Eduardo Valdarnini, above center) without knowing it. Luca's finishing high school, and Paolo and Micaela have finished past marriages. They feel exhilarated being with 19-year-old Eduardo, but also uneasy. Sure, the sex is fantastico, but when they try to relate to him outside the bed the differences between them emerge: divorces, children, career. Things don't help when the two good friends discover they're seeing the same younger guy.

Directed by Cristina Comencini, Qualcosa di nuovo is a breezy comedy, a crowd-pleaser and a decent choice to open this year's ICFF. Lucia and Maria offer some dimension, though Luca remains a callow, young man interested only in getting laid. The comedy is more cute than cutting, squarely in the tradition of mainstream Italian cinema. Cortellesi shines, offering some vulnerability to her Lucia. She will grace the red carpet at the ICFF opening gala in Toronto on Thursday, June 8 at 7:00 pm with further screenings in Montreal and Vaughan.

Toronto International Film Festival Announces 2016 Award Winners

The Toronto International Film Festival® announced its award winners at a ceremony at TIFF Bell Lightbox today, hosted by Piers Handling, CEO and Director of TIFF, and Cameron Bailey, Artistic Director of the Toronto International Film Festival. To watch the presentation, visit tiff.net/ceremony. The 41st Festival wraps up this evening.

The short film awards below were selected by a jury comprised of American filmmaker Abteen Bagheri (That B.E.A.T.), French filmmaker Eva Husson (Bang Gang), and Canadian filmmaker Jeff Barnaby (Rhymes for Young Ghouls).

SHORT CUTS AWARD FOR BEST CANADIAN SHORT FILM
The Short Cuts Award for Best Canadian Short Film goes to Alexandre Dostie’s Mutants. The jury remarked, “Mutants takes a summer in Quebec and infuses it with a ribald lyricism. Awkward moments of sexual awakening paired with self cannibalism and self immolation rise it above standard nostalgia. It was a film that took chances with both its subject matter and humour, and framing it through the eyes of children. Congratulations.” The award offers a $10,000 cash prize.

Toronto International Film Festival announces Canadian selections, Talent Lab, Pitch This!, Rising Stars

POLITICS AND BOLD STORYTELLING HEADLINE CANADIAN LINEUP AT THETORONTO INTERNATIONAL FILM FESTIVAL

The Toronto International Film Festival® announced an exciting lineup of Canadian features, packed with World Premieres from acclaimed filmmakers Deepa Mehta, Alanis Obomsawin, Bruce McDonald, and Brigitte Berman to promising new work from Kevan Funk, Anne Émond, Chloé Robichaud, Jamie Kastner, and Vincent Biron. North American Premieres include the latest from Xavier Dolan, Nathan Morlando, Kim Nguyen, Ann Marie Fleming, and Johnny Ma.

“We are thrilled to present a robust selection of projects from some of Canada’s best filmmakers,” said Steve Gravestock, Senior Programmer, TIFF. “From thought provoking documentaries and affecting dramas, to unconventional biographies and thrillers, to animated features, this year’s selections highlight the diversity and high-calibre work produced in Canada.”

“We are proud to shine a spotlight on both veteran filmmakers and emerging talent in this year’s slate,” said Magali Simard, Film Programmes Manager, TIFF. “Canadians continue to forge their own path on a global scale with their own distinct perspectives and methods of storytelling.”

Toronto International Film Festival announces first films for 41st edition

2016 TORONTO INTERNATIONAL FILM FESTIVAL UNVEILS ITS FIRST SLATE OF GALAS AND SPECIAL PRESENTATIONS
Featuring World Premieres from filmmakers including Oliver Stone, Mira Nair, Ewan McGregor, Konkona Sensharma, Lone Scherfig, Raja Amari, Jonathan Demme, Baltasar Kormákur, Amma Asante, Christopher Guest, Feng Xiaogang, Rob Reiner, J.A. Bayona, Arnaud des Pallières, Kiyoshi Kurosawa and many more

Piers Handling, CEO and Director of TIFF, and Cameron Bailey, Artistic Director of the Toronto International Film Festival, announced the first round of titles premiering in the Gala and Special Presentations programmes of the 41st Toronto International Film Festival.

Of the 19 Galas and 49 Special Presentations announced, this initial lineup includes films from such celebrated directors as Werner Herzog, Denis Villeneuve, Jim Jarmusch, Mia Hansen-Løve, Rebecca Zlotowski, Tom Ford, François Ozon, Andrea Arnold, Maren Ade, Park Chan-wook, Kim Jee woon, Kenneth Lonergan, Antoine Fuqua, Damien Chazelle, Pablo Larraín, and Paul Verhoeven.

Call for submissions: TIFF Studio 2016

TIFF Studio 2016 Applications are now open:
Calling Canadian writer-directors!

Applications for Canadian writer-directors are now open for TIFF Studio, our year round training programme for mid-career professionals, co-supported by the Harold Greenberg Fund and the Director’s Guild of Canada. Our fourth edition will run from June to January 2017.

Studio is a space for filmmakers to be inspired, consolidate skills, exchange ideas, and discuss challenges in a collaborative environment. Offered to a select group of 10 mid-career, writer-directors, Studio is intended to take the candidates careers to the next level, via creative and business skill development.

Call for submissions: Rencontres internationales du documentaire de Montréal (RIDM)

Submissions for RIDM 2016 are now open!

Quebec’s only film festival dedicated to documentaries, the Montreal International Documentary Festival (RIDM) presents the best reality-based films, including the works of established directors and new talents alike. Every November, RIDM screens approximately 140 domestic and foreign productions and hosts a dozen complementary activities such as workshops, master classes, debates and roundtables. The festival typically welcomes about 100 guests from outside Quebec, and hands out 11 awards selected by juries comprised of industry professionals.

Doc Circuit Montréal, the documentary market organized in parallel with the festival, hosts a dozen activities for documentary professionals, including workshops and presentations, and facilitates more than 1,500 business meetings.

The 19th Annual TIFF Kids International Film Festival, April 8 – 24, 2016

CONNECTING CHILDREN TO THE BEST CINEMA FROM AROUND THE GLOBE AT THE 19th ANNUAL TIFF KIDS INTERNATIONAL FILM FESTIVAL
Festival extended to three weekends to make room for more films, more family time and more fun!

Toronto – The TIFF Kids International Film Festival™, one of the world’s premier film festivals for children aged 3-13, returns for its 19th year, brimming with exhilarating stories, diverse programming, and lively animations that will delight and inspire children and parents alike.

Call for submissions: Rencontres internationales du documentaire de Montréal (RIDM)

The Rencontres internationales du documentaire de Montréal (RIDM) or Montreal International Documentary Festival has announced its call for submissions for this year's edition. It will be held from November 10 to 20, 2016.

Quebec’s only film festival dedicated to documentaries, the Montreal International Documentary Festival (RIDM) presents the best reality-based films, including the works of established directors and new talents alike. Every November, RIDM screens approximately 140 domestic and foreign productions and hosts a dozen complementary activities such as workshops, master classes, debates and roundtables. The festival typically welcomes about 100 guests from outside Quebec, and hands out 11 awards selected by juries comprised of industry professionals.

Hot Docs Announces A Selection Of Special Presentations To Screen During 2016 Festival

Hot Docs is pleased to announce 15 documentary features that will be a part of this year’s Special Presentations program, a high-profile collection of world and international premieres, award-winners from the recent international festival circuit and works by master filmmakers or featuring some star subjects. These films will screen as part of the 2016 Hot Docs Canadian International Documentary Festival, running April 28 to May 8.

The complete Special Presentations program and the full selection of films to screen at Hot Docs 2016 will be announced on March 22, including the 2016 opening night film. Ticket packages and passes are now on sale online. Single tickets and package redemption will be available beginning Tuesday, March 22, 2016.

Canadian Film Fest Reveals 2016 Lineup (March 30 – April 2)

The Canadian Film Fest (CFF), celebrating it’s 10th edition, has revealed the line up for this year’s festival along with a new logo and website.

The CFF returns to The Royal Cinema in Toronto from March 30 – April 2 and opens with the Toronto premiere of Jeremy LaLonde’s How To Plan An Orgy In A Small Town, which is fresh off its U.S. premiere at Slamdance and stars Jewel Staite, Ennis Esmer, Katharine Isabelle and Kristian Bruun. Director X’s feature film debut Across the Line, with Stephan James and Sarah Jeffery, has its Toronto premiere as the closing night film.

TIFF announces Canada’s Top Ten for 2015

Canada’s Top Ten Film Festival expands with three-city simulcast and coast-to-coast screenings
Celebrated lineup includes works by Patricia Rozema, Guy Maddin, Philippe Falardeau, Alan Zweig, plus an onstage conversation with Kiefer Sutherland

TIFF salutes the country’s cinematic superstars tonight, revealing the Canada’s Top Ten Film Festival lineup of the top 10 features, shorts and student shorts for 2015. Established in 2001, the festival celebrates and promotes contemporary Canadian cinema and raises awareness of Canadian achievements in film. Running January 8 to 17, 2016 at TIFF Bell Lightbox in Toronto, the 10-day event presents public screenings of the selected films accompanied by introductions and Q&A sessions with filmmakers, as well as special events, industry panels and free engagements. On January 16, Golden Globe–, Emmy- and Screen Actors Guild Award– winning Canadian actor Kiefer Sutherland will take the stage for an intimate discussion about his fascinating career. The 1985 landmark film My American Cousin rounds out the lineup as the festival’s Canadian Open Vault selection.

Award winners of the 18th Rencontres internationales du documentaire de Montréal (RIDM)

The Rencontres internationales du documentaire de Montréal (Montreal International Documentary Festival or RIDM) will close tomorrow, Sunday November 22, after presenting 143 films and numerous parallel activities and events. The award winners for the 18^th annual RIDM were announced this evening during the closing ceremony at Concordia University’s Alumni Auditorium (H110).

GRAND PRIZE FOR BEST CANADIAN FEATURE

Presented by TV5, the Grand Prize for Best Canadian Feature is awarded to Jean-François Lesage’s Un amour d’été, the jury particularly appreciated this “ode to coexistence and joie de vivre that freezes time. A subtly political declaration celebrating the happiness that comes from being together; a nocturnal interlude whose deep appeal to the senses is underscored by remarkable imagery.”